Wrapping Up 2022

It’s the end of the year, time to look back. 

This year marked the ninth year of daily blogging!  That’s crazy, not to mention pointless.  Literally no one asked for it. : – (

But you got it anyway.

Coverage continues about the same.  Dinosaurs and Robots.  Cryptocurrency and Quantum Computing.  Bugs (i.e., software bugs). 

And weekly book reviews.

In other news…

I’ll note that this year I shutdown my never really used twitter account—I was a trend leader in not using twitter!

I also shutdown and cleaned out all of my NFTs and crypto stuff.  These were basically experiments, intended to see how stuff works.  Again, I’m leading the trend, walking away from NFTs and crypto. Be smart. Walk away now.

And, after wanting to do it all my life, I installed solar panels!  Hey, look at me!  I’m a power company!  There is an app, natch, which tells me that I have generated 1.3MWhr of pure, clean, yummy solar electricity since June 21.  A-a-a-h!  Refreshing!

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Best Robot of the Year

I haven’t really been rating robots, but I realized that mostly I blog about robots that capture my childish sense of wonder.  Cool robots.  Weird robots.  Outstanding robots.

So, looking over the posts this year, what is the best robot of 2022 in this blog?

Obviously, the Ingenuity Mars Copter is in a category of its own! 

I mean it’s (a) real and (b) flying on Mars!!!!  Flying! On Mars!  This is what robots are supposed to be!

Down here on Earth, there are lots and lots and lots of robots and robot projects.  I’ll call attention to a few that stand out by not following the herd:

• Ibex – I want a robot I can ride.  With horns!
• Wheelbot – how does this even work?  It’s magical.
• Volodrone – one of the winners in the “that’s not big enough!” department!

But I’m going to tip my hat to the prohibitive favorite: The land of Real Gundam.

As my post indicated:  the purpose of this device is to BE AWESOME.  Why did we build it?  BECAUSE WE COULD.

Now THAT’S what I call a robot!

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Dave Barry Tribute Band Names

As always, I noted ideas for band names, taken from real science and technology articles.

Let me pick a couple of favorites:

Trilobite Eyes
Fluidic innervation

Most of this years list:

Ankylosaur’s Tail-Club
Ankylosaur’s Hair Club
Leidenfrost effect
Structured Thermal Armour
Embayment
Foehn wind 
Fluidic innervation
Sensorize
Ultrafast
Energy exchange
Two single Rydbergs
A jumping reaction wheel unicycle
Non-holonomic
Under-actuated dynamics
Two unstable degrees of freedom
Self-erection
Disturbance rejection
While balancing
Entanglement purification
Doubling architecture
Quantum memories
Entanglement fidelities
Brain slosh reductions (This should be a cocktail)
Contactless Fabrication
Full Acoustic Trapping
Elongated Parts
Speculative Side-channel Attack
A Forward Speculative Interference Attack
Reorder Buffer Contention
Speculation-invariant instructions
Delay-on-miss
Trilobite Eyes
Metalens
Extreme Depth of Field
Boasts Huge

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Books

As always, I read continuously and posted weekly book reviews.  This year I reviewed 22 non-fiction and 55 fiction.

Some Best Books

This year I read most of new fav Mick Herron’s Slough House, as well as recurring favs Stross, Aaronovitch, etc.

Special mention for The Kaiju Preservation Society by John Scalzi– because it’s such a pro-nerd fantasy.  There are plenty of stories by nerds and for nerds, but not so many about nerds.  Heroic nerds! 

Non-fiction of note:  Legacy of Violence by Caroline Elkins. As I wrote, “Hit ‘em again, Elkins!”, I say. “Let me hold your coat while you put the boot in!” 

Special mention for: Math Without Numbers – super great math book, and remarkably easy to understand. I gave this as gift.

All the reviews in loose chronological order.

Q1

Fiction

Anthem by Noah Hawley
Quantum of Nightmares by Charles Stross
Escape From Yokai Landby Charles Stross
Before the Coffee Gets Cold by Toshikazu Kawaguchi
Tales from the Café by Toshikazu Kawaguchi
The Goodbye Coast by Joe Ide
Persephone Station by Stina Leicht
Mermaid Confidential by Tim Dorsey
Daisy Jones & The Six by Taylor Jenkins Reid
Once Upon A Time In Hollywood by Quentin Tarantino
Century Rain by Alastair Reynolds
To Sleep in a Sea of Stars by Christopher Paolini
D (A Tale of Two Worlds) by Michel Faber
Creative Types by Tom Bissell
White on White by Ayşegül Savaş
Harrow by Joy Williams
Fan Fiction by Brent Spiner
Constance Verity Destroys the Universe by A. Lee Martinez
The Kaiju Preservation Societyby John Scalzi

Non-Fiction

Treasured by Christina Riggs
Spooked: The Trump Dossier, Black Cube, and the Rise of Private Spies by Barry Meier
The Modern Detective by Tyler Maroney
The 1619 Project ed. by Nikole Hannah-Jones, Caitlin Roper, Ilena Silverman, and Jake Silverstein
Math Without Numbers by Milo Beckman
Otherlands by Thomas Halliday

Q2

Fiction

Glitterati by Oliver K. Langmead
Razzmatazz by Christopher Moore
Bad Actors by Mick Herron
Slough House by Mick Herron
This Time Tomorrow by Emma Straub
Book of the Night by Holly Black
Siren Queen by Nghi Vo
Sea of Tranquility by Emily St. John Mandel
The Good Wife of Bath by Karen Brooks
The Impossible Us by Sarah Lotz
Amongst Our Weapons by Ben Aaronovitch
Portrait of a Thief by Grace D. Li
Out There by Kate Folk
Battle of the Linguist Mages by Scotto Moore
The Paradox Hotel by Rob Hart
The Left-handed Twin by Thomas Perry

Non Fiction

How to Take Over the World by Ryan North
The Method by Isaac Butler
Origin by Jennifer Raff
Legacy of Violence by Caroline Elkins
Seven Games by Oliver Roeder
Pandora’s Jar by Natalie Haynes
Ways and Means by Roger Lowenstein
What the Ermine Saw by Eden Collinsworth
The Pope at War by David I. Kertzer

Q3

Fiction

Total by Rebecca Miller
Calling for a Blanket Dance by Oscar Hokeah
NSFW by Isabel Kaplan
The Pink Hotel by Liska Jacobs
The Longcut by Emily Hall
An Honest Living by Dwyer Murphy
The Daughter of Doctor Moreau by Sylvia Moreno-Garcia
Bone Silence by Alastair Reynolds
Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin
The Absolute by Daniel Duebel
The 22 Murders of Madison May by Max Barry
Slow Horses by Mick Herron
Spook Street by Mick Herron
Real Tigers by Mick Herron
Dead Lions by Mick Herron

Non-Fiction

The Last Days of the Dinosaurs by Riley Black
Bad Mexicans by Kelly Lytle Hernández
A Quantum Life by Hakeem Oluseyi
The Swerve by Stephen Greenblatt

Q4

Fiction

A Restless Truth by Freya Marske
The World We Make by N. K. Jemisin
The Oracle of Maracoor by Gregory Maguire
The Book of Goose by Yiyun Li
The Furthest Station by Ben Aaronovitch
Melancholy of Mechagirl by Catherynne M. Valente      
Astro-Nuts by Logan J. Hunder
The Golden Enclaves by Naomi Novik
August Kitko and the Mechas from Space by Alex White
Joe Country by Mick Herron
London Rules by Mick Herron
Sweet, Soft, Plenty Rhythm by Laura Warrell
Viviana Valentine Gets Her Man by Emily S. Edwards
Secret Music at Tordesillas by Marjorie Sandor

Non fiction

Survival of the Richest by Douglas Rushkoff
Indigenous Continent by Pekka Hämäläinen
Magnificent Rebels by Andrea Wulf

Book Review: “Secret Music at Tordesillas” by Marjorie Sandor

Secret Music at Tordesillas by Marjorie Sandor

I was listening to the Harmonia radio show this fall, and heard of a collaboration between the Baltimore Consort and Marjorie Sandor [1].  I had not heard of Secret Music, but I was intrigued because the BC is certainly a premier early music group, so I was intrigued by their interest.

This story is a fictional account of the life of the real sixteenth century Spanish Queen Juana, who was declared “mad” and locked away in Tordesillas castle most of her life.  As a potential heir to the throne, she was definitely inconvenient to other claimants.  Whether she was mad, or was driven mad by abuse, is not known.

Sandor tells the story from the point of view of one of her musicians, who spent most of his life confined with her. (The narrative is in the form of a long confession to inquisitors at the end of the musician’s life.)  Juana played music and listened to music all her life, even when all other privileges were refused.  The Baltimore Consort and other musicians have been inspired to imagine what that music was like.

The narrator tells of the secret music heard in between notes and in silences.  I gather that his instrument, the Muslim oud, is similar to a (“Christian”) lute, but has no frets.  Where the lute plays only certain notes, the oud can play an infinite variety of subtly different notes.  This is beautiful, if obscure metaphor, and no doubt excites musicians.

Sandor also weaves in the Reconquista of Spain, which saw the expulsion of Jews and Muslims, followed by the inquisition which spent years “uncovering” secret Jews, who were subject to arrest, torture, and death.  This ethnic cleansing is a grim story, all too familiar from all too many times and places.  So many things that could be a sign of your guilt, including singing the wrong songs.  Neighbors turning on neighbors.  Whole families, whole neighborhoods and villages disappeared.

Sandor ties the fate of Juana to the fate of the Jews and Muslims, suggesting that she had Jewish friends and sympathies.  She also sees ancient Moorish and Jewish music ‘hidden’ in the music of Juana’s court.  These are old songs and phrases, folk songs, nursery songs, ballads from when the multicultural caliphate employed talented musicians from all over.

The whole story is all very sad.  Poor Queen Juana imprisoned for life, robbed of her birthright, her family, or even a decent life. Everybody she loved was destroyed or imprisoned with her.  Families disappeared, including the musician’s secret lover.  Lives wasted in pointless suffering.   All for the simple crime of being an excess heir to the throne, potentially in the way of competing (mostly male) aspirants.

Juana’s music is sad and dark.

But one of Sandor’s themes is persistence in the face of even the worst adversity.  The secret Jews and Arabs survived, if just barely.  Songs learned as a child persist, carrying the hints ancestors and other cultures.  Love is carried down generations. 

There is always hope, however dim.

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1. Angela Mariani, Interview with the Baltimore Consort, in Harmonia. 2022. https://indianapublicmedia.org/harmonia/interview-with-the-baltimore-consort.php
2. Marjorie Sandor, Secret Music at Tordesillas, Philadelphia, Hidden River Press, 2020.

Sunday Book Reviews